work only

& M o d e l

about: 

&model is a curatorial project established in 2012 by James Chinneck, Chris Bloor and Derek Horton. We have run a continuous exhibition programme (from January 2013 onwards) sometimes working alongside guest curators and showing a diverse range of international artists. We are continuing to use our three-floor 19th century building in central Leeds to develop projects and events that bring contemporary artists and others to work alongside some of the city’s emerging practitioners. Occasional artist residencies complement our exhibition programme. Use of the building is enabled by the Leeds charity RTTA (Regeneration Through The Arts). All our projects, so far involving well over 200 artists are documented in the archive section of our website - http://www.andmodel.com/archive.htm

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

history of the site: 

&Model is located in a three-storey early-19th century building in central Leeds. Originally built as a town house it has had a variety of commercial usage for most of its lifetime before we took it over and converted it into a gallery space across all three floors in 2012, opening in January 2013.

address: 

&Model
19 East Parade
LS1 4GH Leeds , WYK 53° 47' 57.7608" N, 1° 32' 57.0336" W
GB

total size in sqm/sqft: 

usage: 

previous usage of the site: 

established: 

2013

last known status of the project: 

last known status of the site: 

The NewBridge Project

about: 

The NewBridge Project supports artists to investigate and challenge the boundaries of contemporary art practice.
The NewBridge Project is an artist-led community comprising of over 80 artist studios, an exhibition space and book shop based in a 29,000sqft former office block in Newcastle city centre.
The NewBridge Project was established in 2010 to provide exchange and support in an engaged and discursive community of artists. The shared workspace is a critical and collaborative environment that allows artists to discuss and develop new ideas and projects.
The NewBridge Project Space provides artists with the opportunity to exhibit in a supportive space that promotes an experimental and critical approach to practice. The exhibition space is dedicated to exploring new and diverse contemporary art practice through a programme of regular exhibitions, screenings and events, supported by responsive talks, publications and broadcasts.
The NewBridge Project continues to develop in response to the needs and interests of its members.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • community interest company

how is/was it funded ?: 

address: 

Norham House
12-18 New Bridge Street West
NE1 8AW Newcastle upon Tyne , TWR 54° 58' 27.7932" N, 1° 36' 38.7072" W
GB

total size in sqm/sqft: 

usage: 

previous usage of the site: 

number of studios: 

number of workshops: 

number of exhibition/project spaces: 

types of studios: 

  • open plan, private

types of workshops: 

established: 

2010

last known status of the project: 

last known status of the site: 

A Small View

about: 

A Small View is a small, independent, artist-led exhibition space based in the heart of Liverpool. Open since April 2015, the space has collaborated with a number of international and local artists, exhibiting diverse works that reflect the multifaceted nature of contemporary art practice. Managed by Benjamin Davies and Kelly Hayes, A Small View aims to experiment and facilitate new collaborations within the city of Liverpool.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

address: 

Gallery
Hanover Street
L1 Liverpool , MSY 53° 24' 12.4056" N, 2° 59' 1.6728" W
GB

total size in sqm/sqft: 

usage: 

previous usage of the site: 

number of exhibition/project spaces: 

established: 

2015

last known status of the project: 

last known status of the site: 

Kingsgate Workshops

Kingsgate Studios: Invite Winter Show 08

about: 

Kingsgate Workshops is a multi-use art space housed within a labyrinthine Victorian factory, providing affordable workspace for an exciting mix of artists, makers and designers.

Kingsgate Workshops’ Public Programme encourages experimentation, production and critical discourse. We support a crossover between disciplines, an exchange of skills and the development of critical and timely conversations about process, image making and object making. Our Project Space aims to profile a diverse range of contemporary national and international artists with a focus on emerging talent.

The Public Programme is generously supported by Arts Council England. As part of the programme, artists are provided with a free studio space for six months, a small stipend and professional support in creating a new body of work for exhibition at Kingsgate Project Space.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

history of the site: 

Kingsgate Workshops is a converted 19th century warehouse providing studio and workshop space for over 50 artists and crafts people. Located in West Hampstead and close to Kilburn High Road, it was first built by John Allen and Sons as their builders workshops, with a saw mill to produce the large number of doors and windows they needed to construct many of the surrounding streets.
After John Allen and Sons, the building became a furniture depository, and then was used as a sheet metal folding factory and various other businesses until it became derelict and empty. In 1978, a small group of local people put forward a scheme to Camden Council to stop it being demolished and give it a new lease of life as an artist’s studio complex.

address: 

110-116 Kingsgate Road
NW3 2JG London 51° 32' 38.3712" N, 0° 11' 47.868" W
GB

usage: 

number of studios: 

types of studios: 

  • private

established: 

1978

last known status of the project: 

last known status of the site: 

Hickster Projects

Hickster Projects

about: 

Hickster Projects is a small experimental platform set up by Sue Kennington, It takes place in a remote space near Siena , Italy - where there is a growing audience of international art collectors, who would be unlikely to visit shows on the periphery of western urban centres and thus to showcase some of this exciting emerging artistic talent to a new and international audience. After showcasing the work at Hickster Projects, in the summer, the show then hopes to migrate to an urban ‘base’ – and find another audience.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

history of the site: 

abandoned olive farm

exhibitions, events, workshops: 

'Zappatore'

address: 

loc. Poggio Boldrini
53020 San Giovanni d'Asso , SI 43° 9' 22.3344" N, 11° 34' 18.984" E
IT

total size in sqm/sqft: 

usage: 

previous usage of the site: 

number of exhibition/project spaces: 

established: 

2015

last known status of the project: 

last known status of the site: 

Haarlem Artspace

about: 

“On the hill opposite are some great stone quarries. It is as though something tore the hill open and said “Here, you shall see not only smooth but the hard strong stuff that is inside too”’ Olive Schreiner

Haarlem Artspace is a multi functional artist-led space whose aim is to encourage practice and research into contemporary art created in a rural environment.
It offers dedicated studios for artists and writers in the inspiring and historic Grade II* listed Haarlem Mill building, situated in the town of Wirksworth, Derbyshire. There will also be flexible public spaces that will present an engaging and ambitious program of events and activities relating to landscape, the environment and ecology.

We’re looking for ambitious artists and writers, to further and develop their practices at Haarlem. They will be invited to participate in a program of exhibitions and events, which will explore and develop links with the Wirksworth Festival and the wider creative community. We will develop commissions, events, and a residency program, which will have on-going links with other studio groups, both national and international.Artists will be supported in the development of new work via a group critique program, optional tutoring, funding advice and support, alongside online representation.
Studio spaces are by application. To apply submit an expression of interest outlining why you’d like a space at Haarlem and how you would use it, include an artist statement, images and supporting links to: studios@haarlemartspace.co.uk

The Peak District is an area of outstanding natural beauty in the heart of England, and North Derbyshire. The Haarlem Mill building was the first ever coal powered mill significant in the Industrial revolution. Historic literary links include George Elliot, D.H.Lawrence, Daniel Defoe, Olive Schreiner, Eleanor Marx, and Friedrich Engels. Wirksworth is the setting for George Elliots fictional ‘Mill on the Floss’. Being restored to English Heritage standards, Haarlem Mill is a beautiful and inspiring place to work and develop artistic ideas
www.haarlemartspace.co.uk
studios@haarlemartspace.co.uk

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • community interest company

how is/was it funded ?: 

history of the site: 

Haarlem Mill, on the River Ecclesbourne in Wirksworth, Derbyshire, was an early cotton mill. Built by Richard Arkwright, it was the first cotton mill in the world to use a steam engine, to supplement the supply of water to the mill's water wheel.
The novelist George Eliot, is said to have based the characters Adam Bede and Dinah Morris in her novel 'Adam Bede' on her uncle, the Haarlem Mill manager, and his wife, and to have used Haarlem Mill as the inspiration for the mill in 'The Mill on the Floss'.

The site of the mill, including an older corn mill, was leased by Arkwright in 1777. Construction of the mill building in brick and stone was completed by June 1780,
operational at this date. After initially investigating the purchase of a steam engine from the Birmingham firm of Boulton and Watt, Arkwright installed a reciprocating steam engine, probably manufactured by Francis Thompson of Ashover, to supplement the occasionally inadequate water supply.
By 1789 the mill was employing almost 200 people, but it was sold by Arkwright three years later. The base of the original building survives, but the upper three floors have since been rebuilt. https://en.wikipedia.org/wiki/Haarlem_Mill

Haarlem Mill was set up as Artists Studio's in 2015 for opening spring 2016, by Artists Geoff Diego Litherland, Olivia Punnett, and Bev Shephard, Finance Director.

additional information: 

We’re looking for ambitious artists and writers at varying stages in their careers, to further and develop their practices at Haarlem. They will be invited to participate in a program of exhibitions and events, which will explore and develop links with the Wirksworth Festival and the wider creative community. We hope to secure funding which will allow us to develop commissions, events, and a residency program, which will have on-going links with other studio groups, both national and international. Artists will be supported in the development of new work via a group critique program, optional tutoring, funding advice and support, alongside online representation. Studio spaces are by application. To apply submit an expression of interest outlining why you’d like a space at Haarlem and how you would use it, include an artist statement, images and supporting links to: studios@haarlemartspace.co.uk

address: 

Haarlem Artspace, Wirksworth
Derby Rd, Haarlem Mill
DE4 4BG Matlock , DER 53° 4' 12.0648" N, 1° 34' 39.8856" W
GB

total size in sqm/sqft: 

usage: 

previous usage of the site: 

number of studios: 

types of studios: 

  • open plan

types of workshops: 

established: 

2015

last known status of the project: 

last known status of the site: 

Five Years

about: 

Five Years is a collaborative artists' project.

Founded in 1998, Five Years' initial aim was to set up a gallery which was artist-run and where programming would maintain a direct relationship to practice. Five Years continues to develop this aim of maintaining close links between the production and exhibition of visual art, and the discourse which informs it. In February 2007 the membership was expanded to form a loose knit collective of artists.

Rather than acting as a 'curatorial' entity, the group's members continue to develop exhibition projects based around concerns emerging from their own practices; offering these projects as frameworks within which other artists can, through participation, respond to or engage in dialogue around the concerns being discussed by the group. Through these processes, Five Years aims to create a context which fosters productive dialogue between artists and the exposure of ambitious new work.

How might an artist-run gallery, a collection, a collective, a communal project?
Such a problem became one of identification. How do we, participants in Five Years, define ourselves in relation to the space and project? How do we identify ourselves to be seen in relation to the expert discourse of the market?
The project must display within its protocol,to being named and identified in this process, to submit (even if marginally) to its form of management.
As a collection of fragments, then, Five Years approaches its own arrangement as a collection that foregrounds the justice of exteriority, a refusal of synthesis through selection, a justice of “arrangement at the level of disarray.”
A gallery in pieces (a collection of pieces, a collective based on the fragment), the inclusion in the space shows not one distilled collective concern, but a concern for collective equivocity. Such a term does not call towards ambivalence or ambiguity. Instead it points towards equal voices, towards the struggle that equality demands.
To place voices in equal is to experience not harmonic synthesis (achieved through the sublime violence of sublation) but the constancy of struggle, of the discordance of discourse among equals.

The collective whole or work of Five Years, then, is the work of the empty place around which a garland of fragments operate. As fragments (each practice a fragment) each practice is that of the ‘complete’ individual – the hedgehog or porcupine principle whereby the fragment individuates completely – but these complete parts converge as on a garland. The string upon which these fragments are strung, Five Years, encircles an ‘empty place’ as the site of incompletion, of the refusal of completion through synthesis. Here the possible activity of dissensus rather than consensus can take place, if one is brave enough.
A fleeting proposition from us: Romantic Bureaucracy is put forward, is put on hold. (To think a bureaucracy in terms of Romanticism put forward by Blanchot would be to think about an instrumentalisation of a movement that necessarily composes and decomposes, that comes together to fall apart.
So. Not Romantic Bureaucracy, then. That is happening already as an artist run space- exhibition-event form, that persistently un-works itself, refuses coherence. To borrow again from Blanchot, we perhaps have here the work of un-working.
To end for now with a question: we might ask, paradoxically, what is lacking in the fragment? Both nothing and everything – it is both irresolutely complete and incomplete. Instead we might ask how one moves from the open field of the social to the abrupt violent gesture that fragments, that causes the fracture of the fragment.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

history of the site: 

Five Years started in 40 Underwoord st, the site was an old Victorian Soap Factory. For its new location in 66 Andrews Road, we found an industrial building initially used for working only spaces.

exhibitions, events, workshops: 

2015
Associates
Delta: Oona Grimes, Mark Jackson, James Lowne, Clare Mitten, Mia Taylor
S_ _ _K:
Charlotte Knox-Williams, Russell Hart, Helen Austwick Zaltzman
Vertigo Rising: John Hughes & Liz Murray
Descriptor: Bernice Donzeilmann
Bang Your Head: Architecture of Conversation
Ilga Leimanis+Bidisha Sinha
How to Write: Reading Groups. Part 1.
The Naturalness of Strange Things: The Line That(…)
Luxury Complex: Remembering Satan
Loop-the-Loop
Steve Klee Too Prolix: Between a Rock and a Hard Place
2014
dis-kuhm-bob-yuh-leyt
five sheets at Five Years: Susan Johanknecht and Katharine Meynell
Beside: Nicole Morris, Katrin Hanusch and Mark Duffy
texts from Emily Beber, Giulia Damiani and Amy McKelvie
The School of the Damned: Interim Show
Benefit: All Research Is Crisis
Five Years & School of the Damned Discussion/Events
Ms. Seat Cello: Rochelle Fry
Summer Camp: School of Calidity/ Doggerland/ Fear + Trembling
Worlds Apart
FiveYears: Fragments at the Showroom
Michael Lawton: Jardines de Sabatini
Giorgio Sadotti: Feet Feet Feel
Oona Grimes: When is Now
Five Years Publications: Public Series. FYP-PS-01-05
These New Zines!/Ovi Novi Zinovi! With love from Belgrade
Clay Arlington in London.
Interior Domestic
Ignominious Wank

2013
A day of continual irritation for myself
Joan of Art: The Venice Process
A Promise of Happiness: 20.11.99
Technologies of Romance
Blank Stare, Flat Hollow
Five Years at Sluice Art Fair
Album2
This is Not Public/ Part 2: What do we mean by Public Engagement?
Modern Interiors
A Heap, A Pile, A Mass, A Gathering
Petrol
Ra-Ra Rasputin: The Esoteric Book Disco
General title given by myself: SE Barnet
This is Not Public/ Part 1: What do we mean by Public Engagement?
School of the Damned
Arkham Asylum: Ana María Millán
Five Years: Fragments
Besame Mucho: Alex Schady
Armada: Ian Dawson
Jamie Partridge & Lynton Talbot

2012
Five Years Publications III: A Plotted Affair; Bad Love Poetry Night
Five Years Publications II: School Book Projects
Five Years Publications I: Artists Books Weekend
Height X Width X Depth
Exercises With Five Years - (Im)Possible School Book: As Found
Beta-Local
Left Of Place
Ideas Are Faster
Light And Time
Dead Original
Five Years Talk At La Scatola
Sideshow And Other Stories
Irish Female Artists
A Pigeon, A Kitchen And An Annexe: Sites Of Alternative Publishing
Preliminary Notes For Moving Between Desert And Occupation
Cuntstone & Clown

2011
Z-Depth Buffer
Desk Space
This Is Not A School
House In The Shape Of A Stretcher
Instantly Interruptible
00:00:00.
Picture Theory
Cream Guillotine
The Weaklings
Posters Fo’ Sho'
Ladies Of The Press* presents…
Evolution Of The Meringue
Closer Encounters Of The Third Kind
Re Infecta
Flying Stickers
Slipstream

2010
So Much For Free School, Etc: A Draft Publication
Album: A Group Show
Photographs: From The Particular To The Particular
What I Thought At The Time
Fairyland
Omnicasus
Good Tidings
The Muttering Cavern Of Domestic Delights
Whatever Happened
Lecture Hall. Free School.
Indirections_1
Commonism
By Day My Limbs, By Night My Mind
Harry Pye Presents
Bakkar Island
Field Recordingsinter Rites
Love Is A Highway

2009
Extinct
Spacious
Bronzed
Interrupted Correspondence/Vice Versa: Five Years Fragments
Noble Intent
Sontag Montag
Statement
Nature Morte
Andrea Zapp
Ania Seraphin
Free Association
Ailleurs
Yes. Yes. I Know. Free School. I Know.
Line And Light
Skinner’s Room
Does God Live In The No-Fly Zone
That Was A Good Day
Perch

2008
A4 Editions
False Friends
Structures Found Structures Lost
Maskwork
In The Path Of The Most Frightening Storm, And Suffered Terrible Devastation. It Also Shows
Talent Show
Garden Of The Sleep Of Love
Periodical Vol.1 (No.1-4)
Free Show.
Paper
Spitting Distance
Glitch
I Don’t Think I Can Fit It In
Rules To Hold Onto…
Porridge Wogs

2007
Three Studies: Pee Wee. Meat. Billy.
Present State
Model As You Would Carve
Crisis And Finance And Nudes
Peroiodical Vol.1, No.1.
DY-66
Peer Esteem
O
Hotshots
Now And Then
Our Period.
Untitled Sequence 1998-2007
Romantic Anti-Humanism
Paintings And Sculptures
Il Cittadino
Rochelle Fry
Visitors
You First
Huis Clos
Psychogeometry V
There Is No Future For Us Now
Art For Everyone
Goo Goo Muck

2006
Frenzy: L’art Décoratif D’aujourd Hui (at Metropole Galleries, Folkestone)

2003
Spacemen (MOT)
Club Esther
Suicide Is Painful

2002
Xmas/ There Is Plenty of Sunshine in Summer/ Silence and Darkness/ Tender Prey/ Independent State-Estado Independiente_Stoned Chicks_Sexperimental Weekenders Ticklish CINEMATHEQUE/ Crack Whore/ Manual: Christoph Girardet and Matthias Müller/ Esther Planas/ The Way Things Are Not/ Fata Morgana/ Graham Dolphin/ Edward Dorrian: Paints a Picture/ CULPTR/ Richard Crow/ Eat Quicksilver Shit Quicksand/ Or Not

2001
The Difference Between You & Us/ I’m Wary/ Contemporary Fairy Tales/ Peter Lloyd Lewis/ Dead-wall Reverie/ Sex Abroad/ Michelle Deignan/ Drop-out/ Issed/ Manual/ Self-service_ Painting/ Sinisa Savic/ Ticklish/

2000
Starring/ The Guests protected their ankles with cardboard boxes/ Richard Crow/ The Red Room/ Rank Cheeseboard/ Failure/ Jeremy Deadman/ Denise Hawrysio/ Sara Woodfine/ Jeremy Akerman/ Self-Service/ Sleight of Hand/ Mathew Luck Galpin/ Susan Morris/ Dark Pop

1999
Taking in the Air/ A Promise of Happiness/ Marion Kalmus and Naomi Salaman/ Corporate Actions/ The Blood Show/ A Thousand Moonlit Kisses/ Own Time/ Now Look Where I Am/ Lapsus/ What is Love?

1998
Silent Movies/ What is a Photograph?

additional information: 

Awarded Charity Status (NO. 1151017)

bibliography: 

Five Years: Fragments
ISBN 978-1-903724-09-5
Francis Summers,Sally Morfill and Karen Wood, Marc Hulson and Paul Curran, Rochelle Fry with Squares and Triangles, Esther Planas with Tuesday-029, Edward Dorrian and Amy Todman
Utopographies:
Evaluation, Consensus and Location
Experts From Beyond (A Script).
FYP-PS-06
ISBN 978-1-903724-16-3

This is not Public.
FYP-PS-05
ISBN 978-1-903724-11-8
Christine Sullivan and Rob Flint, Jonathan Trayner, Charlotte Knox-Williams, Neil Ferguson, Sheila Buckley, Karen Turner, Wendy Scott and Sassa Nikolakouli, Andrew Cooper, Kim Wan, Edward Dorrian, John Greene, Joe Duggan

Ignominious Wank.
FYP-PS-04
ISBN 978-1-903724-12-5
Nicola Harlow, Trish Bould, Amy Todman, Susan Wood, Kathy Oldridge, Melanie Rose, Charlotte Knox-Williams and Edward Dorrian

(Im)Possible School Book. As Found.
FYP-PS-03
ISBN 978-1-903724-010-1
Ace&Lion (Sharon Bennett, Metod Blejec & Scott Schwager); Alain Ayers; Amateurist Network; Anna Lucas; Anna Mortimer; Annie Davey; Bella Kerr; Calum F Kerr; Catalog; Charlotte Knox-Williams & Jennifer Jarman; Chiara Mu; Collaborative Art (Froso Papadimitriou & Jonathan Bradbury); Dagmar I Glausmitzer-Smith; Damien O’connell & John Greene; Deborah Ridley; Edward Dorrian; Eitan Buchalter; Esther Planas; Esther Windsor; Francesca Cho; Gary Kempston; Hadas Kedar; Ilene Berman; James Hutchinson; J. Dunseath; Jessica Potter; Jillian Knipe; Jonathan Trayner; Julia Moore; Kim Wan; Lee Campbell; Leslie Barson; Matthew Lee Knowles; Mirja Koponen; Neil Ferguson; Patrick Loan; Rachel Cattle; SE Barnet; Sharon Gal; Simon Wells & Max Mosscrop; Steve Richards; Sylvie Vandenhoucke & Kris Van Dessel; Tansy Spinks; Teachers Consult 2012 (Joanna Wilkinson, Kate Jackson, Amy Mckelvie, Linda Scott & Effie Coe); Tom Estes; Walter Van Rÿn

This Is Not a School. Book.
FYP-PS-02
ISBN 978-1-903724-07-1
Alexander Costello, Mark Harvey, Lee Campbell, Duncan McAfee, Mike Chavez-Dawson, Alex Baker, Mike Ryder and Sarah Bowker-Jones; Lucy Cash and Theron Schmidt; Steven Eastwood & Anya Lewin; Kevin Molin & Zoe Olaru; Dagmar I Glausnitzer-Smith and Francesca Cho; Gary Kempston; Sharon Gal, Frances Morgan, Andie Brown, Sophie Cooper, Suke Driver and Aurelia McGlynn-Richon; Free School & Communist Gallery;Deborah Ridley; Patrick Loan; Chloe Cooper, Phoebe Davies & Louisa Martin; Heidi Wigmore & Sarah Buckle; Ana Cavic, Renée O’Drobinak (Ladies of the Press*; Ella Clocksin, Stephen Davies, Nicola Harlow, Ben Jenkins, Charlotte Knox-Williams, Kathy Oldridge, David Podger, Amy Todman, Marius Von Brasch; Esther Windsor; Pier Vegner Tosta; CATALOG; Amateurist Network; Charlotte Knox-Williams & Jennifer Jarman, Amy Todman, Melanie Rose; Damien O’Connell & John Greene; Naoise McGeer, Alfonso Areses; Alice Bradshaw; Annie Davey; Critical Practice; Steve Richards; Rachel Cattle; Paul Tarragó; Leslie Barson; Neil Ferguson; David Berridge; Jillian Knipe; Christine Sullivan & Rob Flint; Kim Wan; Calum F. Kerr; Jessie Bond & Elizabeth Graham

So Much For Free School, Etc.
FYP-PS-01
ISBN 978-1-903724-05-7
Alex Schady, Alice Cooper, Antje Hildebrandt, Avaes Mohammad, Bryony Kate Gillard, Carly Juneau, Charlotte Knox-Williams, Christine Sullivan & Rob Flint, David Berridge, Karen Di Franco/Concrete Radio, Marit Muenzberg, Tamarin Norwood, Mary Paterson, Edward Dorrian, Elliott Harris (Neva Elliott & Lynn Harris) Fay Nicolson & Charles Ogilvie, Francis Summers, Froso Papadimitriou, Geopolyphonies Collective Hamja Ahsan, Johanna Linsley, Jonathan Trayner (Free School), Kate Wiggs & Joanna Austin, Kathryn Faulkner, Ladies Of The Press* (Ana Cavic & Rénee O’Drobinak), Larry Achiampong, Ben Youngman, Roi Driscoll, Tefltastic: Lee Campbell Plus Guests: Phil Harris, Adrian Lee, Patrick Loan, Heidi Wigmore, Leslie Safran: The Otherwise Club, Luke Williams, Matthew Mackisack, Michael Schuller, Neil Ferguson, Nela Milic, Nicolas Vass, Oliver Guy-Watkins, Patricia Vidal Delgado, Patrick Loan, Paul Tarragó, Pier Vegner Tosta, Rachel Cattle, Rebecca Birch, Sandra Erbacher, Seth Guy, Steve Richards Tele-Geto: John Cussans, Vasileios Kantas & Jo Bradshaw

ISBN 978-1-903724-00-2
Failure/ Rank Cheeseboard
Paul Whittaker, Edward Dorrian/ Fergal Stapleton, Neil Ferguson

ISBN 978-1-903724-01-9
False Friends
Clive Hodgson, Susan Morris

ISBN 978-1-903724-02-6
Whatever Happened
Dierdre O’Dwyer

ISBN 978-1-903724-03-3
Sontag Montag:
Drawings,recordings and diagrams by Susan Morris
with essays by Ed Krcma, Margaret Iversen and Briony Fer edited by Deirdre O’Dwyer

ISBN 978-1-903724-04-0
Sandnes Sangen
Louisa Minkin

The Blood Show
Liz Arnold, Kathe Burkhart, David Burrows, Mark Harris, Peter Lloyd Lewis, Markus Muntean & Adi Rosenblum, Henry Rogers. Edited by Peter Lloyd Lewis

Tender Prey
Francesco Clemente, Michael Curran, Marriette Renssen, Esther Planas, Alex Schady, Marc Hulson, Gillian Carnegie, Arno Nollen, Paul De Reus, Cathy de Monchaux, Pierre Klossowski, Tariq Alvi, Nick Cave, Bea Stienstra, Paul Kooiker, David Haines, Thom Puckey, Roma Pas, Stefan Banz, Susan Morris, Reinjelle Tjerpstra, Baz Meerman

Dark Star Vols 1-4
Esther Planas

Frenzy- L’Art D’Art Décoratif D’Aujourd’Hui
Fiona Curran, Mark R Taylor, Esther Planas, Mike Watson, Charlotte Bonham-Carter, Susan Morris

Five Years Periodical Vols 1-5
Various

Structures Found, Structures Lost Videos By
Paul B Davis, Steve Klee, Abbe Leigh Fletcher

Porridge Wogs
Rabiya Choudry, Andrew Gilbert, Astrid Sourkova

Talent Show
Patricia Ellis

Experimental Light in the Death Cult
Michael Salerno

Underwood
Various

Welcome to the Secret Lands and Secret Worlds
-

El Diablo en la Pintura
-

Dahmer Daily Digest
-

Untitled Sequence
Marc Hulson

Now Look Where I am: Failure, Time, Aporia
Paul Whittaker, Edward Dorrian

Bounty feeds Desert, Desert exhausts Bounty
Louisa Minkin

address: 

66 Regents Studios, Andrews Road
E8 4QN London 51° 32' 7.8" N, 0° 3' 36.8748" W
GB

usage: 

previous usage of the site: 

number of studios: 

number of exhibition/project spaces: 

types of studios: 

  • private

established: 

1998

last known status of the project: 

last known status of the site: 

David Dale Gallery

Exterior view - David Dale Gallery

about: 

David Dale Gallery and Studios is a non-profit contemporary art space based in the east end of Glasgow.

Established in 2009, David Dale Gallery and Studios promotes pioneering contemporary visual art through the commissioning and year round programming of new work and projects by early career international and UK based artists. Maintaining a commitment to providing opportunities and supporting the development of artists, curators and writers, David Dale Gallery and Studios intend to encourage professional development, education and community participation whilst delivering our core aim of presenting outstanding contemporary visual art. Additionally, the organisation operates an affordable artist studios facility, for the production and development of new work by emerging artists.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

address: 

David Dale Gallery
161 Broad Street
G40 2QR Glasgow 55° 51' 3.906" N, 4° 13' 18.876" W
GB

total size in sqm/sqft: 

usage: 

previous usage of the site: 

number of studios: 

number of exhibition/project spaces: 

types of studios: 

  • private

established: 

2009

last known status of the project: 

last known status of the site: 

Rogue

about: 

Established in 1995, Rogue is a not-for-profit artists studios providing members with accessible and affordable workspace in Manchester city centre. A five minute walk from Piccadilly Station, Rogue is now the largest independent studio group in the North West with ninety seven artists working in 30,000 square feet of space over three floors of Chapeltown Mill. Members range from recent graduates to established practitioners working in a wide range of disciplines and media; including drawing, film and video, illustration, installation, interactive art, painting, performance, photography, printmaking, sculpture, and textiles.

Once a year, Rogue opens its doors to the public in its Open Studios event inviting fellow artists, curators and the general public to access all areas of the studios while affording members an opportunity to exhibit and offer work for sale. This years Rogue Open Studios will take place over the weekend of 23rd - 25th October 2015.

Rogue also runs a programme of events in the Project Space, which is used primarily for temporary exhibitions, residency and exchange projects and one-off events. Rogue's new Project Space is on the 1st floor of the studios. A new curatorial team for the Project Space will be announced in 2016.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

address: 

M1 2WH Manchester 53° 28' 42.8952" N, 2° 13' 33.942" W
GB

total size in sqm/sqft: 

usage: 

number of studios: 

number of exhibition/project spaces: 

established: 

1995

last known status of the project: 

last known status of the site: 

Lewisham Arthouse

about: 

Keeping it real since 1994.
Artist-led, community - based.
Supporting creativity and innovation in visual arts and beyond.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

history of the site: 

1914 - 1991
Amazing Library
Gift from Andrew Carnegie to people of Deptford
ceases as learning / social space due to Tory Government cuts

1991 - 1993
Amazing rave venue
Maintained by Spiral Tribe
ceases as a music / social space due to Tory Government rave laws

1994 - 2015
Amazing arts centre
Maintained by Lewisham Art House co-operative
providing open-access facilities, community resources, learning, visual art and music programmes

2015 - onwards
Amazing arts centre becomes charity
Doing the same as before, but within / as a charity with a 100 year plan

exhibitions, events, workshops: 

lots

additional information: 

Grade II listed (interior / exterior) Historic trees and gardens to rear

address: 

140 Lewisham Way
SE14 6PD London 51° 28' 18.0336" N, 0° 1' 51.186" W
GB

usage: 

previous usage of the site: 

number of studios: 

number of workshops: 

number of exhibition/project spaces: 

types of studios: 

  • open plan, private

types of workshops: 

established: 

1991

last known status of the project: 

last known status of the site: 

Pages

Subscribe to RSS - work only