Centrum is a contemporary art space in the Flughafenkiez district of Neukölln, Berlin. Formerly used as a retail store and brothel, Centrum’s exhibition space is not a pure white cube, but owes its specific character to its tiled floor composed of red ceramic and gray stone tiles, and from the large shop window looking out into the street. Artists have in the past on several occasions produced works and installations that were inspired by these characteristics and by the history of the space.
Centrum since 2010 has collaborated with various artists and has developed a series of experimental projects, including a festival of video installations and film screenings, and performances. Some projects were shown outside the exhibition space and in collaboration with other artist-run initiatives.
Centrum offers a platform for the discourses in and around contemporary art as well as the opportunity to meet other artists through artist talks, lectures, and film screenings. Centrum was founded in 2009 by Kate Squires and David Moynihan and between September 2014 and December 2019 was run by Mareike Spendel; supported by Max Weiland. Since 2020, Centrum is run by Jorgina Stamogianni as artistic director and Katerina Gnafaki as curator of sound.

Plan 9 was an contemporary art initiative run by artists, curators and writers between 2005 to 2010.

Plan 9 members have included Chris Barr, Kayle Brandon, Rachel Butcher, Rob Chavasse, Nim-Jo Chung, Julian Claxton, Rachel Connelly, Karen Di Franco, Anton Goldenstein, Mark Harris, Toby Huddlestone, Tom Johnson, Ali Jones, John Lawrence, Julie MacCalden, Natasha MacVoy, Sophie Mellor, Anouk Mercier, Sarah Tulloch, Lucie Red and Zoe Williams.

History

Plan 9 was established in 2004 by Sophie Mellor and Julian Claxton, with Toby Huddlestone joining in March 2005. Taking advantage of the redevelopment of Bristol's city centre, Plan 9's first site was in an empty shop unit in Broadmead - the city's shopping precinct. With the support of Bristol City Council, Broadmead Alliance and the estate agents Hartnell, Taylor and Cook, Plan 9 secured the unit for a period of one year, rent free.

Plan 9's programme was formulated to support the careers of emerging artists and curators, with four main exhibitions curated by Plan 9 (Industry & Idleness, Gatsobyter, Generation Games and BRSLAXVAA). An open call was also sent out nationally, which resulted in another five exhibitions/events being curated/organised by artists and curators outside Plan 9.

In 2006, Plan 9 organised 'Wig Wam Bam!' as part of the British Art Show 6 in Bristol. Interested in working within a building already open to the public, Plan 9 formed a partnership with The Red Lodge, an Elizabethan house run the Bristol City Council Museums and Art Galleries as an example of a period home. The Red Lodge is owned (and leased to the city council) by The Bristol Savages, an all male artists' group started in 1904 and modeled along the lines of the Pre-Raphaelite Brotherhood. They still hold weekly meetings and an annual exhibition in the 'Wig Wam' - and outbuilding in the grounds of The Red Lodge.

Plan 9 invited British Art Show 6 artists Claire Barclay and Marcus Coates, and the president of the Bristol Savages, Geoff Molyneux to form the selection panel for 'Wig Wam Bam!'. Fourteen Bristol based artists were selected on the basis of both proposals for new work in relation to the site and existing work. Claire Barclay and Marcus Coates also attended a series of studio visits with the selected artists, furthering the links between the British Art Show 6 and providing an opportunity for discussion around the proposed work and the site.

At the end of 2006, Plan 9 invited Karen Di Franco to join the core group. In 2007, Plan 9 expanded the group inviting Chris Barr, Kayle Brandon, Nim-Jo Chung, Rachel Connelly, Anton Goldenstein, Julie McCalden, Tom Johnson, Ali Jones, John Lawrence and Sarah Tulloch to join. Taking on a unit at the back of Spike Island - Plan 9 presented one event (All our Worst Work) and two exhibitions (Utstallruum, and, Martin Kippenburger with fries and a shake) curated by Plan 9 members.

In 2008, working with Bristol City Council, Artspace Lifespace and Urban Splash, Plan 9 took on new premises - a former police station in Bristol's city centre, Bridewell Island - creating a gallery, project space and studios. In 2008/09 Plan 9's membership changed around again and comprised of Chris Barr, Rachel Butcher, Rob Chavasse, Nim-Jo Chung, Karen Di Franco, Anton Goldenstein, Mark Harris, Toby Huddlestone, Tom Johnson, Ali Jones, Natasha MacVoy, Sophie Mellor, Anouk Mercier, Lucie Red and Zoe Williams. During 2008 and 2009, Plan 9 ran a programme of exhibitions, events and international residencies initiated by Plan 9 members.

In November 2009, Plan 9 moved out of Bridewell Island and ceased its activities.

Islington Mill is a leading independent UK arts organisation based in Salford, in the NW England. Structured around an organic network of independent artists, Islington Mill runs innovative inter-disciplinary public arts programmes and artist residencies alongside studio spaces and an artists’ B&B. Drawing on the radical and subversive creative energy running through its arts activities, Islington Mill also has a reputation for putting on legendary experimental gatherings, events and parties.

Based in the evocative buildings and courtyard of a former Victorian mill, Islington Mill is a unique and inspiring environment where the architecture of industrial Britain is fused with the creative energy of industrious artists at work and at play.

Founded by Bill Campbell in 2000, who bought it after spending four years developing the project and raising the initial finance, Islington Mill is the product of a singular dream to form a network of artists around the shared goal of living and working as freely and creatively as possible.

Like the Hacienda before it, Islington Mill is organised along similar principles inspired by the Situationist movement, an avant-garde European art movement formed in the fifties and sixties that became a prototype of punk. Picking up where the former left off, Islington Mill has a similar focus of creating an open-source environment outside of conventional structures and art traditions that can act as a catalyst for “the creative act” in all its many forms and unlock the inner artist in almost anyone.

Currently run by designer Bill Campbell, musician Mark Carlin and visual artist Maurice Carlin, Islington Mill is a non-hierarchical organisation that makes no distinction between work and play, outcome and process, chaos and control. Operating outside a commercial, profit-led agenda, it is a genuinely independent arts organisation that puts nurturing, supporting and inspiring creativity, especially new and emerging talent, at the heart of everything it does.

Forged in the spirit of D-I-Y, it recognises risk-taking and experimentalism in a non-judgmental, non-pressured environment as integral to art practice and is able to offer artists an unusual level of creative freedom in an increasingly market-led cultural landscape.

Although Islington Mill is predominantly focussed around the physical space in Salford, it recently organised its first “mass residency” with thirty artists in Ibiza and now plans to take the spirit of Islington Mill on tour elsewhere, building on existing links starting this October with an exchange with Flux Factory NYC.

Not content with stopping at these achievements, Islington Mill is continuously seeking to progress in its mission to inspire, educate and develop artists in their careers in an ever-changing social and cultural landscape.

Islington Mill was very pleased to have recieved its first ever ACE programme funding in the history of its organisation earlier in 2013, which will be used towards testing new strategies for residencies and developing its marketing and organisational structure.

As part of this forward-looking strategy, Islington Mill is excited about the opportunity to develop it's 6th floor space into further B&B style bedrooms and its 5th floor space into a dedicated artist residency space.

However further funding is still needed for Islington Mill to realise its full potential and so it is constantly exploring funding sources and income streams that will allow it to maintain its unique vision for the arts into the future.

To this end, Islington Mill has also secured Arts Council Catalyst funding, in consortium with the Chinese Arts Centre, this fund helps arts organisations access private funding by exploring how relationships can be formed with patrons and other independent sources.

Islington Mill is now to an exciting future that is global and ambitious. With the right funding in place, it hopes to be responsible for sending local artists out onto international residencies, while receiving incoming international artists in order to realise its full potential as a dynamic international arts hub and creative interchange.

Keeping it real since 1994.
Artist-led, community - based.
Supporting creativity and innovation in visual arts and beyond.

Central—Reservation was a temporary project space in Bristol, UK dedicated to the support, production and presentation of contemporary visual arts.

Between March and July 2010, Central—Reservation presented a programme of exhibitions, events and collaborative projects with a backdrop of production in the four studio residencies.
Central—Reservation offered artists and curators the opportunity to present ambitious projects, making use of the current surplus of empty commercial property.
Alongside the core programme, Central—Reservation invited artist led and independent groups from across the UK to propose exhibitions and events to put on in the space.

The former motorcycle showroom is located on Stokes Croft, a main access route into central Bristol. It offered 10,000 sq ft of exhibition and event space over two floors, plus partitioned workspaces for resident artists to test and document work.

Central—Reservation was established by Lucy Drane, Hannah James and Jane Porter, an independent group, each working within key arts organisations in the city. The project developed through their mutual membership of the Spike Island Associates Programme and a shared interest in realising a dynamic new project space in Bristol.